Friday, July 24, 2015

Mad Max: Fury Road (2015)

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Mad Max: Fury Road (2015)

Immortan Joe: You will ride eternal, shiny and chrome.

Rock Rider Chief: You said, “A few vehicles in pursuit. Maybe.” We count three war parties!
Furiosa: Yeah, well, I got unlucky. Let’s do this!


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It’s been while since I’ve posted anything new, but Tyler has convinced me that I should start up again, and that I should start with my new obsession: Mad Max: Fury Road.  I should start by admitting that I had seen some of Road Warrior and Beyond Thunderdome, and wasn’t especially into them –they were strange and bizarre, and I just didn’t get them.  Well, Fury Road is also strange and bizarre, but this time I get it.  

It’s the best movie I’ve seen all year, and probably one my favorites ever.  I must confess that the only reason I was initially interested in seeing it was because Charlize was in it, and I liked her in Monster and Snow White and the Huntsman.  When Tyler and I finished watching it, he said that he liked it, and when I agreed, he thought I was joking, and I can see why he would think that: I didn’t like the originals (he did), I don’t like car-chase movies, it’s bizarre…but I loved it.  

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The plot (spoilers ahead) is that in a post-apocalyptic world, Immortan Joe is a tyrant who controls access to the only major source of water in the wasteland, at a place called The Citadel (He splashes it down on the heads of his people periodically, which feels like a poor method of distribution, but is definitely dramatic, telling them, “Do not, my friends, become addicted to water. It will take hold of you, and you will resent its absence.”).  

Joe has five wives –breeders he is hoping will bear him a healthy son and heir.  The women are his prisoners and want desperately to escape.  Imperator Furiosa, one of his top commanders, busts them out, concealing them in her war rig when she is supposed to be going on a supply run.  When Joe figures this out, he and his War Boys (who worship him as a God) pursue her to get them back.  Max has been captured and is being used as a blood-bag (a blood donor for the sickly War Boys, as he is a universal donor), and ends up strapped to the front of a vehicle belonging to Nux (one of the War Boys) as he joins the pursuit (“If I’m gonna die, I’m gonna die historic on the Fury Road.”).  There is a great moment where Nux pulls alongside Furiosa, and she, while in the middle of this flight for her life, looks over and sees Max strapped to the front of the car. She has a quizzical look on her face, like, “Huh.  Well, that’s new.”  And he glares back, like, “Shut up.”

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The script is only like three pages long, which shocked me, because it doesn’t feel that way.  The characters express so much with gestures and facial expressions.  In particular, I do not know how Charlize shows such an array of emotion with her face.  I was in awe.

 photo May June July 2015 1086_zpsseiojukd.jpgFor me, the best part of the movie is Furiosa.  Her character is so interesting and cool that I was blown away.  She has buzzed hair, one arm and the coolest prosthetic arm ever (just one of the many small details that are everywhere is that you can see she keeps a wrench in her robotic arm), and she smears grease on her forehead as war paint.  There’s a point where, after her scuffle with Max, the grease has come off, and she takes a second to grab some more and smear it on –just another small thing that really adds so much.  On a shallow note, I love her outfit.  She wears the best pants ever (I want a pair).  I noticed instantly, of course, that Joe wears a massive skull codpiece.  It took me longer to realize that Furiosa also wears a crotch skull –what woman does that?  I love it.
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The first thing I really enjoyed about the movie was watching Furiosa interact with her men.  Her lead War Boy, Ace, tries checking in with her to see why they are going off route, and she just gives him a scathing look like he is totally pestering her with stupid questions.  She finally vaguely says “We’re heading east,” and he accepts that, no more questions.  On a side note, he is climbing around the rig like a monkey, hanging off the outside of her door when he speaks to her, which is great.  They all seem quite able to climb around atop/beneath the vehicles no problem.  At one point, Furiosa does repairs on the rig while it is motion, just hanging from the bottom, easy peasy.  I need to learn to do that.  Probably not safe, but it looks so badass that it’s worth it.


Repairs

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A Buzzard vehicle.

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When Buzzards appear to attack the rig (they drive fantastic spikey cars –actually, all the cars in the movie make cars today look stupid and boring), she says they’ll just keep going and fight them off themselves, no need to turn back and meet up with the pursuing vehicles (her men have not yet realized that she has gone rogue), and says, “No.  We’re good.  We fang it!”  The slang is altogether fabulous (“Medicore!”).  Immortan Joe has called for backup from the Bullet Farm and Gas Town, and P.S. the flares he uses look so cool (different colors against the brown/red background of the waste) –the whole film is a visual treat; beautiful, with tons of details making it a feast for the eyes, everything interesting and unusual.  

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"Oh, what a day! What a lovely day!"

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Ace finally figures out something is wrong when Furiosa turns them into a massive dust storm (“What have you done? What have you done?”), and her men turn on her.  Nux pursues her into the dust storm (“I am the man who grabs the sun…riding to Valhalla! Witness me, Blood Bag! Witness!”) and crashes when Max subverts his attempt to suicide-bomb the rig with his car kamikaze-style.  End scene.  The dust storm is so frickin awesome I can’t even describe it.  Seeing it in the theatre, the scene ends and you just go “WOW.”

Max wakes up still chained to Nux, who is unconscious, and he sees the war rig stopped ahead.  He approaches, and in a wonderfully comedic moment, is surprised to see five gorgeous women washing themselves off in the desert while Furiosa does repairs –clearly the last thing he expected to find.  





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"You're dead." "WTF?"
"You tricked me." "Now I'm mad."

Max quickly sizes Furiosa up as the dangerous one, and points his (useless, but no one else knows it) gun at her, instructing the Dag (one of the wives) to use the bolt cutters to cut the chain connecting him to Nux.  While the Dag attempts to comply, you can see Furiosa watching him like a hawk, itching for the moment she can strike.  The second he glances away, BOOM, she has closed the distance at a sprint and tackled him.  She gets the gun, pulls the trigger, and nothing.  The look on her face when she realizes that the gun doesn’t work is great –surprise, annoyance, anger.  

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Then begins a major scuffle between the two leads.  The wives are trying to help, Nux has woken up and is trying to assist Max, and Max eventually gets the upper hand after a wonderfully choreographed fight.  Furiosa is so great in this scene.  Actually, great acting all around (Max, Nux, the wives, Joe, everyone).  You can see her frustration and desperation when he finally pins her.

When he fires bullets into the ground by her head to get her to stop struggling, she grimaces, because she knows he might be about to kill her.  At the same time, she can hear the music from Joe’s convoy (played by the guitar/flame-thrower playing Doof Warrior), and you can see her calculating how close they are getting.  The wives are desperate to help (not useless damsels, but helpful women, though not warriors like Furiosa, and clearly fearful of Max, as he does look and seem quite feral).  Losing her would mean losing their best chance of making it to safety (to the Green Place she was kidnapped from as a child).  Nux is delighted that Max has captured Furiosa alive (“Glory me, Blood Bag. We snagged her alive. He’s going to shred her. Shred her!”), and that they can return the wives and get rewards, but Max is not interested –he just wants to get away.

Nux: Oh, look at that. So shiny, so chrome. He’s gonna be so grateful. We could ask for anything. I wanna drive the War Rig. What are you going to ask for?
Max: That’s my jacket! [Taking the jacket Nux is wearing]
Nux: Sure. You can ask for more than a jacket.

When Furiosa realizes that Max neither intends to shoot her or turn her in to Joe, you can see her mind working, and she quickly and cleverly changes tactics, trying to convince him to let them all back onto the rig with him.  Because she has set a kill switch in the rig, he eventually agrees (Very practical of her.  If I put a passcode on my phone, it makes sense she would put one on her War Rig.  Sensible):

Furiosa: Kill switches. I set the sequence myself. This Rig goes nowhere without me.
Max: You can get in.
Furiosa: Not without them.
Max: So we wait.
 photo May June July 2015 1083_zpsa95upagg.jpgFuriosa: You’re relying on the gratitude of a very bad man. You’ve already damaged one of his wives; how grateful do you think he’s gonna be? You’re sitting on 2,000 horsepower of nitro-boosted war machine. I’d say you got about a five-minute head start. You want that thing [a metal mask] off your face?  Let’s go.

Seeing the trust develop between the two out of necessity is great.  Initially, he is holding her at gun point, and collects all of her many weapons from the front of the rig (minus one knife that he misses).  Quickly, however, she is forced to put her trust in him by giving him kill switch, knowing he may need to drive the rig (Furiosa: Hey. What’s your name? What do I call you?  Max: Does it matter?  Furiosa: Fine. When I yell “Fool,” you drive out of here as fast as you can.), and he ultimately reciprocates by giving her guns back when they are attacked.  Their gun play as they flee is perfectly coordinated, and, I’ll say it, totally sexy.  He’s tossing her guns, shooting between her legs while she shoots out the top of the rig.  Terrific stuff.
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There’s not much conversation between them, but Furiosa does tell Max at one point that she is seeking redemption, and you realize that she must have done some pretty bad things to rise so high in Joe’s army.  She had developed a bond with the five women, and is determined to get herself and the wives to safety.  She is very protective of them.  When the Bullet Farmer begins firing wildly at them (originally it’s “Just one angry shot for Furiosa!” so as not to risk damaging the wives, but when she blinds him, he goes berserk), she shields one of the wives with her own body, before getting them to safety.  Speaking of blinding the Bullet Farmer, I loved when Max gave her the gun to make that shot.  There are three bullets left, he misses with the first two shots, and she moves behind him, and is clearly itching for the gun, as she is a very good shot.  


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His face shows he is reluctant to give up the gun, as I don’t think he is accustomed to accepting help, but he ultimately hands over the weapon, and she uses his shoulder to steady the gun and make the shot.  All this without words between them!

 photo May June July 2015 1142_zpsgpyopq3s.jpgNux becomes a main character after failing Joe one too many times and becoming despondent.  He forms a bit of a relationship with one of the wives, Capable, who is very sweet to him, and joins up with their little gang.  I like that he seems like just one of the War Boys, and then we get to know him and he becomes a great character –it brings to the forefront that all of the other War Boys probably have interesting backstories and are real people too, not just disposable battle fodder for Joe.

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When they reach Furiosa’s former tribe, the Many Mothers, she seems a little awkward and out of practice at being part of the tribe, but is clearly emotional and happy to have found them.  When she finds out that only a handful of them are left, and that the Green Place is poisoned and now a swamp, she despairs –the hope she has been holding onto for so long seems dashed.  More amazing acting.  After initially saying he’s going to go his own way, Max decides to help them form a plan to go back from whence they came and take Joe’s Citadel while it’s undefended.  “It’ll be a hard day,” is the understatement of the century.  The Many Mothers (some of them quite grizzled, but still tough, ballsy, and awesome with guns) join them.  

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I should take a minute to mention that I really do think that this is, if not actually a feminist action movie per say, definitely a female-friendly action movie.  It’s edited by a woman, and I can see that she focused a lot on expressions, reactions –not just things blowing up, but the people involved.  The female characters (and there are many) are all unique and interesting, and have different strengths and weaknesses.  The Splendid Angharad is the leader of the wives, and even Furiosa listens to her when she tells her not to kill Nux (“No unnecessary killing!” “This War Boy wants me dead!” “We agreed! He’s kamakrazee! He’s just a kid at the end of his half-life.”), but when Furiosa asks her to reload her weapon, it’s Toast the Knowing who steps in. 

 

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Cheedo the Fragile, who appears the most fearful, ultimately helps Furiosa by cleverly getting Rictus Erectus (that name!) to bring her to Joe’s vehicle where she is able to help Furiosa climb aboard.  Capable is gutsy, and shows great compassion.  The Dag is a bit peculiar, but quite funny.  Basically, the female characters are complicated and fleshed out (not one-dimensional).  It’s an action movie that appeals to women as well as men.  Never have I enjoyed car chases this much!

The final car chase back to The Citadel really shows how much Furiosa and Max have come to care about each other in their own way, and it’s pretty much all told with their eyes.  You see, when he’s in danger, the concern she feels written on her face, and she saves his life multiple times.  

 
 



After Max falls off of the rig, she catches him and hangs on, even when she is stabbed.   When he discovers that she’s hurt badly, you can see how desperate he is to get back to the rig and help, though that’s easier said than done when Polecats keep plucking you away (the stunts are amazing by the way, and I love that they are practical stunts, not so reliant on CGI –I am not a big fan of green screen), and you have a guitar that spits flames in your way.  

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 photo July 2015 245_zps3dehkbdv.pngFuriosa is in bad shape after being stabbed –not like in some movies where the protagonist gets shot many times and is still fine.  She is in trouble and weakening fast, but gives the wheel to Nux so that she can go after Joe.  I love that she takes Joe down herself, and not in a big brawl, but with a quick growl (“Remember me?”) and a thrust of his mask into the wheels, which tears off his face (not especially gory, despite how it sounds –the movie is rated R, but really there’s no language, barely any nudity (from a distance and obscured), and not much gore –though they do have women they milk, which is creepy as hell).
Furiosa is badly hurt, and Max grabs her and helps her up, then saves her life.  It’s super sweet, because you can see that he has really connected with other people at last, despite how hard he tries to avoid it, and that he cares about Furiosa.  Not enough to stay, of course.  He is still off like a shot after seeing them back to the Citadel, but still.  I wish he’d stayed, but Tyler assures me that that’s not who he is.


Awesome awesome awesome.  A fantastic movie.  I have already pre-ordered it on itunes so that I can get it August 11th (then I can get the DVD with special features on September 1st), but that feels so far away! 

I would love so much to see another movie with Furiosa in it, but it sounds like Charlize doesn’t want to do another one.  Maybe now that the movie has made so much money they can lure her back at some point with a hefty pay day, but I’m not getting my hopes up.  Tyler says they can make a different cool female character, but I’m stubborn –I like Furiosa!  

I’m sure there is so much more I could say, but this is pretty long now.  I hope Tyler will chime in with his thoughts.

2 comments:

  1. I loved this movie too. It had strong, believable female characters, not the usual glamazon cliches who look like they just stepped out of the beauty parlor/weapons & ammo shop. There was not a single line of dialogue that didn't advance the plot and none of the "car" (to call them cars is to call great whites fish.) chase scenes dragged (see french connection) and everyone's actions had consequences. Fire a certain weapon a lot during a fight? No more ammo for the rest of the movie. Someone gets wounded? They stay wounded and progressively worsen for the rest of the movie. No magical ammo clips or off camera medical miracles.

    I watched the first three mad max movies and I liked them, but this one was head and shoulders above the others. The characters were phenomenal, the action was stupendous, and the visuals were breathtaking.

    On a side note, the guy who plays ace is a fifty something ex SAS guy who was in charge of security for the personnel on the shoot, and the stunt man/woman for Tom Hardy and Charlize Theron liked rolling around in the dirt with each other during shooting so much, they got married and now have a kid and a successful stunt school.

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